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The Largest Cinema Chains in Southeast Asia

Indonesia's Cinema XXI is the largest cinema chain in Southeast Asia with 1,395 screens.

Daniel Dimays Sumarno
Daniel Dimays Sumarno
October 28, 2026 1:40 PM GMT+7 · 2 mins 7 secs read
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Southeast Asia has a diverse and competitive cinema industry, with major exhibitors operating hundreds of screens across the region. From Indonesia and Thailand to Malaysia, the Philippines, and Singapore, cinema chains play an important role in the entertainment sector by bringing local and international films to millions of moviegoers.

Based on the number of screens, Cinema XXI of Indonesia ranks first among the region's largest cinema chains, followed by several regional operators and international companies.

Cinema XXI leads the ranking with an impressive 1,395 screens, making it the largest cinema chain in Southeast Asia by this measure. As a major player in Indonesia's entertainment industry, the company benefits from the country's large population and growing demand for theatrical entertainment.

In second place is CGV Cinemas, a South Korean cinema operator with 887 screens in the ranking. Its presence reflects the growing influence of international cinema brands in Southeast Asia. Major Cineplex of Thailand follows closely in third place with 838 screens, establishing itself as one of the region's most significant exhibitors.

Malaysia is represented by Golden Screen Cinemas (GSC), which ranks fourth with 642 screens. The company is a leading name in Malaysia's cinema industry and contributes substantially to the country's moviegoing experience.

Meanwhile, SM Cinema of the Philippines occupies fifth place with 389 screens, highlighting the importance of the Philippine market in the regional cinema landscape.

Thailand has another major exhibitor in SF Cinema, which ranks sixth with 379 screens. Its presence alongside Major Cineplex demonstrates the strength of Thailand's cinema industry. Malaysia's TGV Cinemas follows in seventh place with 328 screens, providing further evidence of the country's competitive exhibition market.

International operators also feature prominently. Cinépolis of Mexico ranks eighth with 312 screens, demonstrating the reach of a global cinema brand in Southeast Asia.

Lotte Cinema of South Korea occupies ninth place with 219 screens, adding to the presence of Korean cinema operators in the region. Rounding out the top ten is Golden Village of Singapore, with 123 screens, making it a notable exhibitor in the city-state's entertainment market.

Overall, these figures illustrate the varied scale of cinema operations across Southeast Asia. Indonesia leads through Cinema XXI, while Thailand and Malaysia each have two chains in the ranking. South Korean and Mexican companies also demonstrate the international dimension of the region's exhibition business.

As streaming services continue to reshape entertainment habits, cinema operators face the challenge of maintaining audience interest through premium viewing experiences, comfortable facilities, and diverse film selections.

Their screen networks remain an important measure of market presence and provide insight into the competitive landscape of Southeast Asia's cinema industry.

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